As I
finished typing up what I have discovered about the life of Arthur Laws, I became
frustrated with the lack of details we have about how Glen Foerd appeared
during the Foerderer and Tonner eras. Records about actions taken by the
Lutheran Church during its ownership are lacking, and documentation of the
collection is spotty. Because of this, some objects that received accession
numbers are not actually part of the museum’s collection. This makes the task
of anything collections related both frustrating and mysterious. The collection
is extremely large, and though some of the objects were likely used by Arthur
or other servants, it is difficult to know for sure without an expert opinion
or extensive research. For example, a table previously located in the front
hall (and now in a safer location away from spaces used by the caterer) appears
like an ordinary wooden side table, but was probably a butler’s tray. Upon
closer inspection, it is obvious that the surface of the table is expandable
into three shelves, and was likely used for serving food or drinks.
When I
voiced my frustration to executive director Meg Sharp Walton, she suggested I
take a look at an inventory Florence commissioned for insurance purposes in
1950. Florence had several inventories taken about every ten years. The 1950
inventory is the earliest of these we are aware of. Though 1930 is the latest
year we are positive Arthur Laws worked at Glen Foerd, the 1950 inventory
helped give me an idea of how the house appeared during Arthur’s time there.
Today the
first floor of Glen Foerd is fairly empty. Granted, paintings, dozens of tables,
and cabinets overflowing with artifacts line the walls of almost every room.
One compliment that board members, docents, and guests of weddings agree upon
is that the amount of objects—china, glassware, silver tea sets and punch bowls
and coffeepots, books, paintings, small wooden and marble tables, and more—make
the space feel homey. But after reading the 1950 inventory I learned that to
Florence, Arthur, and anyone else who spent time at Glen Foerd before the
Lutheran Church inherited it, the space would feel bare.
The amount
of things in each room in 1950 was
absolutely shocking (and impressive and humorous) to me. For example, the
drawing room, which is the second largest room on the first floor, today holds
a grand piano, a Chippendale recreation bench, four wingback chairs, two small
Venetian corner cabinets, and several small wooden tables with table lamps on
top, and has lots of open floor space. In 1950, the drawing room held seventeen arm chairs, a dozen tables,
plus more smaller tables with table lamps, floor lamps, cabinets, chaise
lounges, etc. The floor was covered in 4x6 rugs, which judging from the
inventory must have overlapped each other to fit into the space. Each room
inventoried had a similarly ridiculous amount of furniture and decorations in
it. This would explain why today the basement, carriage house, and third floor
are full of furniture. It’s a shame the house appears so unlike it did when the
Foerderers and Tonners lived there. Hopefully, as Glen Foerd develops, objects
can be restored and returned to their original places, and visitors can
experience a deeper understanding of life at Glen Foerd.
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